Kicks from way back - Nike Air Max Pillar (1998)

In 1998 the Nike Air Max Pillar was released.

The caged upper, and squiggly midsole design caught my eye right away.

From 1995 thru 2000, a majority of my Nikes had a full length airbag (TL).  "Total Air" which is another word for full Air Max cushioning.  The Pillar was one of the many.  Bulky, but ultimately a comfy trooper.  The upper was different, the outside had a 3M reflective cage, while the inside was textured perforated leather.

The caged upper and the appearance of netting to secure the foot is one of the concepts I have gravitated to over the years.  I'm also a sucker for 3M reflective, pull tabs, and tongues with holes.

The shoe has been retro'ed recently, and while I will always have a soft spot in my heart, these Pillars would definitely be an outlet buy nowadays.

Shoutout to the designer (and team) responsible for this shoe!

Sources:

http://www.sneakerhead.com/nike-air-max-pillar-525226003.html

Smart Shoes

Why can't the toe box on my shoes tell me how fast and how long I've been running?

 

What if you wanted to know the optimal spot on your foot to take a free kick from?

Today, Apple was granted a patent for conductive carbon nanotubes to be used in a fold-able Iphone.

These tubes form flexible strands that hold signals (electricity) and are flexible and resistant to cracking.

Apple has found a way to bend displays and stretch signals over a small folded area.

 

With the release of the Nike HyperAdapt and Air Mag, there is a push to have shoes be more adaptive and responsive to the athlete.

After the fold-able phone, the smart shoe will be next. 

For smart shoes to succeed, the wiring and connections needed to power the shoe have to integrate seamlessly into the shoe.

 

The guts.

The guts.

Embedding conductive carbon fibers into a flyknit upper would create a feedback loop for the athlete.  Using touch sensors embedded in the sole and upper, an athlete could see stride, speed and impact information displayed on a phone, or directly on the toebox.

A soccer player, who now has a target displayed directly on his boot, to guide him to his strongest spot for a free kick.

The basketball player, who can see how high they jumped for the last rebound.

Showing the function

A quote from the redsign of the Aeron Chair got me thinking about engineering and design.  Showing function as a form of design.

The Aeron chair was made for function, yet gained an appeal because of it's design.

Its designers, Bill Stumpf and Don Chadwick, built the Aeron according to what the body needs, not what the eye likes. The result was a chair that looked more engineered than designed.

The Pompidou in Paris is much the same.  By showing how the building functions, you create a unique design.

The skeleton itself engulfs the building from its exterior, showing all of the different mechanical and structure systems not only so that they could be understood but also to maximize the interior space without interruptions.

The iconic Nike Air Max One shows you what's on the inside.  The function is exposed to create a design.

This part of the design known as ‘Maximum Volume’ allowed the transfer of air on impact — allowing the Air bag to expand beyond the confines of the midsole. So although they allowed you to see the Visible Air cushioning unit, they had more function as well.

Learning About : 3D Drawing

The outsole of this Reebok was printed using a technology developed for the automotive industry.

As a first step, this technology can create an outsole pattern without a mold.  However, the problems found in traditional footwear manufacturing of adhering the upper to the midsole is still present. 

I could see this printing out a full upper if a last is used to help retain the shoe's shape.  If the machine could incorporate threads, the upper gets even more strength.  The next challenge would be creating a one piece upper/midsole to mechanically attach to the mesh outsole.

Sources

http://www.gameplan-a.com/2016/10/tips-truly-innovate-former-nasa-engineer/

Sneaker School - Recap

Over 60 hrs of work created a pair of bespoke Air Jordan 1's.  The process of making a pair of sneakers is straightforward: cut leather, sew leather, stretch leather, glue on sole. 

Even with a straightforward process, the shoe maker has the ability to put creativity and innovation into each pair he creates.

Its All A Process

Its All A Process

There were early mornings and late nights, but it was all worth it.  Stitching the leather was the toughest part for me.  A crooked stitch meant the thread had to be removed and that piece of leather might need to be replaced.  There was no room for error.

Dom "The Shoe Surgeon"

Dom "The Shoe Surgeon"

The Box

The Box

I'm extremely proud of what I created.  From the flyknit and leathers down to the lasting and stitching, I made it.  I have a Nike sole and a swoosh, but it was made by Aaron. 

One of One.

The 11 students came from different backgrounds, but all shared a love for sneakers and making.  Throughout the whole class, we learned and worked together.  Everyone helped each other realize thier creations.  I was grateful and inspired by the way we worked together as a team.

Dinner with the class

Dinner with the class

Sneaker School - Day 5

The 5th and last day is also the LAST day.  I started out with a fully stitched upper, sock and toe liner included.  The other students were at various stages of the construction process.  As one person finished learning, they were teaching someone else how to do it.  It was great,

The upper materials now need to stretch (lasted) over the silhouette of the Air Jordan 1.  The shoe last is made in the shape of the shoe, and is made from a plastic so nails can be used to pull the leather tight .  Before the leather is lasted, we nailed a board to the bottom of the last.  This is the strobel, the bottom of the shoe and the part that holds everything together.

With the strobel tacked onto the last, I started pulling and nailing the leather to the last.  First you pull down the heel, the the toe then alternate from side to side until the leather takes the shape of the last.

After lasting, the leather is bonded to the strobel, then the nails are removed.

The excess material on the bottom of the shoe is skived off to fit into the outsole. 

After seating the upper into the outsole cup, you mark the permeter of the shoe with a pen, this is the cement bond line to hold the shoe together.

The outsole and upper are bonded together, then the upper and sole are stitched together.

Tomorrow, I'll share pictures of the sneakers and what I learned from the course.

Sneaker School - Day 4

Day 4 was all about finishing sewing 30 pieces of leather, flyknit and fabric into two uppers.

With symmetrical patterns, the medial (inside) and lateral (outside) part of the shoe are the same.   The small cutouts on the top of the pattern (image to the right) are the stitching paths, to help line up each of the pieces.  The bottom row of cut outs are the guide for bottom edge of the shoe.

As each piece was stitched on, scraps turned into pieces, pieces turned into sections.  Once all of the outward facing pieces were sewn together, the shoe liner was added. 

One of my favorite aspect of Day 4 was being able to select the thread color.  I had a chance to do contrast stitching on the white leather and red swoosh, but still keep a black stitch on the pattern pieces.

To match the sole and the swoosh, I picked a red sock liner.  The sock liner is sewn on inside out to the outside of the shoe, foam is glued on, then its flipped and sewn onto the inside of the shoe. 

 

Day 4 was tough, lots of sewing and gluing. I didn't spend much time taking pictures, wanted to finish my shoe on time.

One of the final stitches was connecting the toe box to the upper.

The end of day 4 was a fully sewn upper and an outsole.  Time to connect the two...

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UP NEXT - DAY 5 - Lasting and Sole Bonding

Sneaker School - Day 3

After day 2, The Shoe Surgeon took our leathers to be skived.  Skiving is the removal of leather to reduce the thickness.  The overlapping pieces of leather were skived to fit together properly during bonding and stitching.

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In Learning About: Flat Knitting, I researched traditional sewing and found this video that explain the sewing process nicely.

Sewing is all about repetition.  I worked one stitch at a time on scrap pieces, until I felt comfortable to work on my pieces.  A sewing machine engages everything: arms, legs, eyes and ears.  The foot pedal, holding lining up the materials, listening to the hum of the machine.

After a few sloppy stitches, I started comparing my work to the one created by Nike on a high volume production line.  Perfect lines sewed by a person with years of experience?

Mass Production Sewing

Mass Production Sewing

Should I start that row over?  Should the stitches look exactly like the original? No.  Our learning comes from making "mistakes".

Each stitch told the story of learning by doing.  I am gaining confidence and building my custom creation, one stitch at a time.

UP NEXT - DAY 4 - More stitching/sewing and Lasting

Sneaker School - Day 2

I came in early on Day 2 because I wasn't very confident in the accuracy of my patterns.  After removing loose threads and adhesive from the edges and being more deliberate, the re-cut patterns were ready to roll.

Normally, the left and right shoe are made with different patterns.  For time and simplicity, we used one pattern to make the left and right shoe.  We had to take extra effort to ensure that certain pieces were symmetrical.

Next was material selection.  Ecco Leather had so many different colors and textures that it was tough to decide on the 2-3 to work with.

The pair I deconstructed had a white/red outsole, so I knew it was best for the swoosh to match the outsole. 1st color - Red.  The design of the AJ 1 incorporates a straight lines throughout (see below), so I wanted to pick a textured natural pattern to offset those lines but also connect with the outsole.  2nd color - black and white textured natural pattern.  I went with a natural white leather to balance the pattern.  3rd color - white leather.

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Along with the base materials, I choose two accent pieces, a hexagonal stamp pressed leather, along with a swatch of my own deconstructed Airmax 2016 FlyKnit's.   The hex and flyknit pieces are my way of infusing technology and personal inspiration into my design.

Here are the four materials I selected for my AJ 1 (brought to you by Ecco Leather.)

Next step was tracing the pattern onto the leather pieces and cutting the material.

The end result from day 2.

UP NEXT - DAY 3 - Skiving and Sewing

Sneaker School - Day 1

The Decon/Recon course started today in Downtown LA.

Prior to the start of class, we selected a base shoe for customization. 

I chose to build my custom sneaker from the Air Jordan 1, designed by Peter Moore.  Besides the color of the outsole, the base colorway of the shoe doesn't matter, we will be replacing all the upper materials with a selection of leathers from Ecco Leather.

Air Jordan 1

Air Jordan 1

The first step in the deconstruction is removing the stitching and the outsole from the upper.

The bone folder, one of the tools we received with the class, is vital for separating the leather from the outsole without damaging either surface.

Removing the sole using a bone folder

Removing the sole using a bone folder

After the outsole is removed, I deconstructed the upper starting with the swoosh.

A thread puller and exacto knife were used to remove each component with surgical precision.

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There are over 1000 individual stitches in each shoe.  During the deconstruction process, I could see deeper into the footwear manufacturing process.  I started to understand how and why pieces are shaped in a certain way.  Why double and triple stitches exist at critical points in the shoe.  You can see the amount of labor that goes into making each pair of shoes.

Swooshless

Swooshless

The end result was 15 pieces needed for pattern tracing.

The final product of deconstruction

The final product of deconstruction

The final task for day 1 was pattern tracing.

Along with tracing the outside profile of each piece, we had to trace the stitch lines for all pieces that overlap other pieces.

UP NEXT - DAY 2 - material selection and pattern cutting

Sources

http://www.complex.com/sneakers/2015/05/why-the-chicago-jordan-1-matters